My work is a mapping of the human process of rupture and reconstruction. Through a technical exploration that oscillates between visceral figurativism and vibrant abstraction, I seek to objectify complex psychological states that often escape words. The guiding thread of my work is physical texture. I use materials that provide relief and roughness to the canvas, transforming the character's skin into a tangible battlefield. For me, pain is not a flat image; it has weight, volume, and a harshness that must be felt through the gaze.

My process evolves through three fundamental stages:

* The Density of Origin: Monochromatic and heavy portraits that capture the exact moment when a feeling held back for years finally manifests, using ochre and black as emotional anchors.

* Immersion and Mending: A phase of psychological depth where the subject appears submerged or fragmented, using symbolic elements such as thorns, birds, and ribbons to represent the acceptance of one’s own fragility and the beginning of repair.

* Dissolution into Light: A transition toward pure abstraction, where the figure disappears to give way to energy, neon color, and free gesture, suggesting a final liberation from trauma.

Ultimately, my art is an invitation to introspection. Each piece is a reminder that, although the self may fragment, there is an intrinsic beauty in the act of putting oneself back together, letting scars and color dictate a new identity.